Movie review: Lost Creek (2016)


Director: Colin Adams-Toomey

Starring: Oliver Stockman, Henry Stockman, Brynna Bartoo and Lisa Coruzzi

Review: I always like to give independent movies a try because you do frequently find a hidden gem with original stories and genuine jumps. Sadly, that’s not quite the case with Lost Creek. That’s not to say it’s a bad movie, just a bit, well, Lost.

Stockman plays ‘Peter’, the new boy in town, struggling to make friends and deal with the fall out of his parents divorce with his only friend ‘Bill’ played by Stockman. One night he goes for a walk by the creek and meets ‘Maggie’ played by Bartoo who warns him about creatures in the woods. It’s not long before the creatures are no longer confined to the woods and people around town begin to disappear.

Elements of ‘Stranger Things’ and Stephen King novels have obviously influenced the writers but unfortunately a number of factors mean ‘Lost Creek’ does not live up to expectations. The young cast do pretty well but do not have the polish of other child actors (it should be noted that this is their first feature film and I hope they all go on to great things as all show good potential which is sadly not achieved here). However, it’s the adult actors who let the movie down and I actually cringed when Peter’s mother, played by Coruzzi was on screen. 

The story itself is a little all over the place and I think this is due to the number of ‘monsters’ they want to use – from school bullies, ghosts, monsters in the woods, who are the audience supposed to be afraid of? It’s this lack of unfocus, along with lingering on shots for too long, plus the ‘twist’ being obvious from the beginning which leaves Lost Creek wallowing in a damp bog. There is good stuff here, which with some tighter editing, the removal of Coruzzi and more focus on the ‘monster’ it could be a classic, but as it is, it’s sadly easy to get lost in the muddled stories of Lost Creek.

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Movie review: Siren (2013)


Director: Jesse Peyronel

Starring: Vinessa Shaw, Robert Kazinsky

Review: There’s something familiar yet distinct about about ‘Siren’.’Leigh’ (Shaw) was born with an over-abundance of pheromones, to the extent that any man who smells her imagines her to be his perfect woman and falls in love with her. This leads to assorted problems involving stalking, threats and physical attacks when their romantic overtures are rejected. After an issue with a particularly amorous neighbour, Leigh meets ‘Guy’, a man who has lost his sense of smell and is therefore unaffected by her pheromones. One thing leads to another and she invites him to stay with her so help with different projects around her large, rambling house. The story of ‘boy meets girl’ followed by betrayal, confrontation and ultimately forgiveness and reconciliation has been told countless times and this movie does little to add anything new to this trope. 

Released the same year which saw Kazinsky in ‘Pacific Rim’ it has been overlooked which is a shame as it does have its charm and makes a very intimate counter to the large and brash Pacific Rim. Shaw plays the lonely Leigh, desperate for human contact but fearful of the effects her pheromones have on others, with delicacy but perhaps a little too much meet woman-in-need-of-rescuing for my tastes. I would have hoped after a lifetime of dealing with unwanted attention from men she would have learned something better than whimpering when they meet her. The rest of the cast put in a rather standard performance.

Directer Peyronel uses the house and sets well with everything bathed in hues of yellows and gold until the scenes featuring Leigh either extracting her pheromones or the climax which worked well and I liked the subtle use of music. They elevate an otherwise standard movie.

It seems strange to recommend a film which in many ways is so standard but I’ve fallen under the Siren spell and I’m sure you will too.

100Days of Happiness: Day Eleven 

Day eleven of our 100 Days of Happiness say the Lamb and I head to one of our favourite places, Killerton House. We met her bestie and I got to catch up with her mum (and my dear friend) which always lifts the spirits. The girls had a lot of fun belting around the gardens, I shared a delicious Victoria Sponge with the Lamb, then we all went on a ‘mouse hunt’ around the house. As always, we left very impressed at the volunteers who help run these National Trust houses and the assorted activities they have to keep little people entertained.

Here’s a bonus shot of one of the flowers still in bloom. So pretty, even on a rather cold, damp day!


As always, once the Lamb was in bed, it was time for me to get to work. I’m prepping a new novel, with elements of fantasy, horror, supernatural and adventure. It’s my first ‘big’ writing project since having the Lamb so I’m hoping to get back into it, and make a start on it during National Novel Writing Month in November. There’s lots to prepare for it, with character bios, locations and multiple fantasy worlds to create. I’ve been struggling to get back into writing for a while so I’m hoping this preparation will help and I’ll be blogging more about my experience so pop back to find out more.

What made you happy today?

Movie Review: Ink (2009)


Synopsis: As we sleep the Storyteller and Incubi battle for our dreams, and in the case of little Emma, for her very soul. Her father, John must journey to save her. Will he be able to save her from the strange creature ‘Ink’?

Director: Jamie Winans

Starring: Christopher Soren Kelly, Quinn Hunchar and Jessica Duffy

Review: I watch a LOT of movies and have had a run of very bad films (check out my Reviews) so it was such a joy to discover ‘Ink’ (and the other film by Wimins, ‘Frame’ but more on that next week). I really, REALLY enjoyed it so prepare for gushing.

Where to start? The soundtrack, cinematography, originality of story and (the majority of the) acting is sublime. 

The story: father John (Kelly) worksto hard and doesn’t spend them with his daughter Emma (Hunchar). During a battle with the ‘Storytellers’ and the ‘Incubi’ Emma’s soul is stolen by ‘Ink’ who’s determined to use it to pay his way into the Incubi. Cue Storyteller Liev (Duffy) who vows to protect her while other Storytellers battle to safe them. Ok, so it doesn’t sound that original But Winans visual and style raise this above the usual fair. The opening battle between the Storytellers. And Incubi may not have the slick punches of a Hollywood blockbuster but it’s well choreographed and makes good use of the space. My favourite character is the blind man but Duffy emits an inner grace I can only aspire to. 

The difference in colours between the real world, land of dreams and world of nightmares was a treat and I didn’t feel the changes pulled you out of the story. There’s also an interesting use of lighting, especially in the world of nightmares which I won’t spoil for you but which were very clever. 

The sets and costumes were mixed, but didn’t suggest a lack of design or care in their creation. Again, this isn’t a big-budget film but I was extremely impressed with what was created using their budget. This is helped by the directors use of different colour filters for each ‘land’.

The soundtrack is beautiful, a mix of haunting piano and some other arrangements. It fits perfectly with the directors visuals and is my new favourite writing music. 

But there have to be some negatives. A few of the actors give uneven performances, including Kelly which does make the movie feel disjointed. Other reviewers have complained about the visuals which they found jarring or too unusual to accept, or the lack of classification for this film – is it fantasy? A horror? Sci fi? But for me, it didn’t need classification, it was a beautiful movie which defied classification and was the stronger for it because it emcompassed so much. 

So, there are a huge number of independent film makers out there, many of whom are doing (in my opinion!) amazing work and need our support. Winans visuals may not appeal to all but his beautiful storytelling and the haunting music means you’ll be thinking of ‘Ink’ long after the credits have finished. 

Movie review: The Reaping (2007)

Director: Stephen Hopkins

Starring: Hillary Swank, David Morrissey, Idris Elba

Synopsis: A grieving widow and mother debunks miracles until she’s called to a town experiencing the great plagues

Review: Way back in 2007, I’d not really heard of Idris Elba, with David Morrissey yet to terrorise survivors in The Walking Dead and Hillary Swank was the big name draw for this movie. So it was  a pleasant surprise to see so many recognisable faces during a recent rewatch.

Swank plays ‘Catherine’ who has a convoluted back story relating to being a minister who lost her family while acting as a missionary in Sudan. Her story is very contrived and for me pulls the movie down. The constant flash-backs to her time there pull you out of the movie and in my opinion do not add to her story or explain her actions. I would have found her a stronger character had she have been firmly a scientist, seeking to disprove ‘miracles’ like Sigourney Weaver in ‘Red Lights’. Elba is slightly misused throughout, although his devotion to Swank is clear, although it’s never explained why. Morrissey is restrained, with flashes of his character from Walking Dead seen.

Some scenes seem overly long while others are drenched in colours which make it difficult to clearly see following scenes which are too dark. It’s not particularly original and the twist is fairly obvious from the beginning but that doesn’t make it unwatchable.

This movie has a low score on IMDB and I think it’s slightly undeserved. Many people will be put off by the religious storyline – a town is experiencing the Biblical plagues – but that’s doing a disservice to the film. It’s a solid thriller, with good performances from the cast, albeit with some interesting director and editing decisions.

Throwback Thursday: Interview for SFF

Last year I was interviewed with Adele for SFF World as part of our launch of Fennec Books, the imprint of Fox Spirit Books, for whom I’m commissioning editor. Our first book, Ghoulsome Graveyard (written by me) is already available, and our next book, which I commissioned, will be out soon. It was such an interesting and exciting project to read submissions and choose the novel I really enjoyed and to work with such a gifted writer. I can’t wait for you to read more about what were doing. In the meantime, check out our interview here.

Inspiration for Weird Wild

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My collection of short stories, Weird Wild, was published on 20 March 2014. The first story I wrote for it was called ‘The Lake’ and was written as part of an online writing challenge. I didn’t know then what it would grow into!

My book babies, out in the wild!

I’ve always loved the woods. There’s nothing more relaxing than walking through forests, unless you’re being chased by a werewolf! We’ve visited forests in the UK, including ‘Wistman’s Wood’ in Dartmoor, as well as rainforests in Latin America and Asia and all helped inspire ‘Weird Wild’, with creepy mists, crooked trees and hidden dens.

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Wistman’s Wood, Dartmoor

The Stone Circle in Weird Wild is definitely inspired by my love of archaeology. I love Stonehenge and have been fascinated by stone circles, both in terms of what they tell us about our ancestors, but also the more mystical elements. My logical, scientific brain (and a number of my tutors!) debunked the idea of ley lines but there’s still something magical about these stones. Who’s to say they aren’t portals to the fairy realm?

Stonehenge. I visited it while studying and the image of the stones rising from the earth has stayed with me. Magical

How pretty are bluebells? It was an annual tradition growing up to visit ‘Bluebell Woods’ and see them when they bloomed each spring. I was fascinated to learn some of the more nefarious uses of this beautiful, if deadly, bell. I’d also never claim to be a poet, but the poem for Weird Wild was written fairly quickly, the voices and the bells ringing clearly.

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Bluebells near where I grew up.

 

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Dartmoor, UK

So many beautiful lakes inspired ‘The Lake’. Whilst Lago Roja in Bolivia isn’t surrounded by trees like the lake in Weird Wild, the stillness and sense of isolation crept into the story.

Lago Roja, Bolivia. It was so peaceful and ethereal here

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Out in the wild!

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As always, any sticky plot points were worked out during long walks. There’s something about being outside which definitely clears the fog and helps the writing process.

Check out those wild flowers!

 

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You can get your copy of Weird Wild from Amazon, or contact me below for a signed copy!

Movie Review: Case 39 (2009)

Director: Christian Alvart

Starring: Renee Zellweger, Ian McShane, Bradley Cooper & Jodelle Ferland

Synopsis: An overworked social worker (Renee Zellweger) becomes too involved with the family of her latest case and works hard to save the young girl from her abusive parents, only to discover that there’s more to ‘Case 39’ than she realised.

Review: I was drawn to this movie because I love Zellweger and loved that she was moving away from her bubblegum characters and was intrigued with her starring in a horror movie – would Bridget Jones be able to take down the forces of hell?

I’m happy to report that everybody gives a solid performance with Zellweger carrying the movie well. Cooper plays the would-be love interest come psychiatrist who works closely with Zellweger and McShane manages to keep his American accept up in his role as the policeman. However special kudos has to go to Ferland in her role as Lilith, the daughter of abusive parents but who has her own secrets. Her transformation from saccharine-sweet school girl to psycho child is subtle and well done.

A well made horror with plenty of twists and turns. Don’t be put off by the thought of Bridget Jones taking down demons: she’s handled Mr Darcy and Mr Cleaver, she can take down a demon-spawn.

Movie review: The Boy (2016)

Synopsis: An American nanny is hired to take care of a young boy, the only problem is, the ‘boy’ is made of porcelain. Violating the strict rules his parents said she must follow, she begins to sense the boy is alive, and may want more than just a nanny to care for him

Director: William Brent Bell

Starring: Lauren Cohan, Rupert Evans, Jim Norton, Diana Hardcastle

Review: I wasn’t entirely sure what to expect from this movie. It started with the typical ‘girl takes a job despite it having a dodgy job description to escape her ex’. The family she works for are very odd and their unease, portrayed excellently by Norton and Hardcastle. They ask Cohan to look after their ‘son’ a porcelain doll which is more than a little creepy, and they have a number of rules which must be followed to ensure his care.

Cohan will be known to viewers of ‘The Walking Dead’. The naiveté and winning smile she brings to Maggie Green in her battle against zombies on the show is also evident here (I’ll admit, we’re VERY behind with The Walking Dead so I’m not sure if she’s still smiling) as she plays a fairly likeable character, but it’s not soon before she’s left on her own and ignoring the rules for caring for the Boy. What happens next made me think we were on for a supernatural twist and Cohen plays it well, with a mixture of excitement and unease at caring for a ‘ghost’. Obviously, this idea is boosted by Evans telling her about Norton and Hardcastle’s son who was an odd child and died in mysterious circumstances.

The ending was a cliched surprise. By that I mean, the movie didn’t go in the direction I expected, but as soon as it did, there wasn’t anything new to add, although there were a few jumps. I suppose for me, part of the issue was that, as lovely as Cohan is her, I wasn’t really that engaged with her or any of the other characters. There was also no satisfactory explanation as to why the Boy’s parents had set up such an elaborate ruse. The direction was good in that it’s claustrophobic and made you feel as if there’s something unsettling in the house but at times was a little too light and breezy to maintain the suspense.

The Boy is a good Friday night movie: it doesn’t demand too much and delivers a few spooks and scares, but it needs to grow up a lot before it joins the big boys of horror.

Movie review: Seconds Apart (2011)

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Synopsis: Twins Seth and Jonah share a dangerous ability, telepathy. Using their powers they can get people to do things which they later regret

Director: Antonio Negret

Starring: Edmund Entin, Gary Entin and Orlando Jones

Review: Detective Lampkin (Jones) is called in to investigate a series of deaths which seem to always have twins Seth (G Entin) and Jonah (E Entin) at the centre. The twins have a telepathic ability which can force people to do things against their will and causes a number of deaths. It seems as if the twins will continue on their evil path when Jonah meets ‘Eve’ and romance blossoms, although I have to question her movies: he’s a strange outsider while she’s a normal girl who could be part of the popular group. It’s not a normal relationship but then none of the relationships in this film could be deemed normal.

The twins are creepy throughout the movie and their actions go from squirm-worthy to downright evil very quickly. There’s no doubt from the beginning that these are two very disturbed young men with a certain ‘Damien from Omen’ quality about them – they believe it’s their right to act as they do because they have been given a ‘gift’. They act as if there are no consequences and even their teachers and parents are scared of them. For most of the movie you believe their powers to be equal but towards the middle of the film you see imbalances and begin to wonder if these boys could live apart from each other or who would be the first to demise if they were separated. Who holds the power in this relationship? It’s a question which continues to be asked right until the very last scene.

The storyline involving Lampkin seems forced and contrived and frankly the film could have down without dumping ‘issues’ on one of the characters. Contrived personal trauma does not a back story make! In fact it was one thing which annoyed me about the movie and slowed the pacing down as I drifted off when Jones was on screen. Jones is not a charismatic actor and the film would have worked without his story arc. In fact, I think it would have been a stronger film if they had eliminated his character entirely and focussed more on the relationship between the twins and Eve.

The direction is good and shows the different aspects of the twins lives and actions with a good, clean ending. As I’ve said, the acting can be a little uneven and the script is ropy in places but given that this is a good indie movie with an unusual pretence, go check it out!