Director: Phil Guidry, Simon Herbert and David Whelan
Starring: Patrick Pedraza, Monica Davis, Edward L. Green
Review: I’m not normally a fan of ‘found footage’ movies, as they frequently seem an excuse for poor quality filmmaking but I enjoyed Savageland and have watched it a few times now. The film is a ‘documentary’ assessing the evidence around the trial of a Mexican immigrant, accused of going on a rampage and killing everyone in an Arizona town. People are convinced of his guilt until a roll of photographic film which seems to correspond with the strange tale told by ‘Diego’ (Pedraza) of a wave of crazed, zombie-style monsters sweeping through the town.
The movie cuts between interviews with family, the sheriff and a photojournalist, footage of Diego in jail and analysis of the photographs. It’s well edited with no lingering shots and has a strong ‘made for TV’ supernatural documentary feel. But that shouldn’t put viewers off because whilst there is no CGI or loud action sequences the story is allowed to unfold at its own pace, introducing characters and monsters at a pace you can feel sympathy for Diego, whilst also wondering, did he do it?
Because none of the scenes lingers for too long on any one character, and most people are playing survivors being interviewed, there are no real ‘weak’ performances, nor are there any characters you feel particular dislike for. Our sympathy for Diego fluctuates as we learn more and see footage of him in jail. The movie is good because it raises the issue of illegal immigrants, which is timely given the current climate but doesn’t really provide any answers or dissuade people from their prejudices.
The idea of monsters being caught on film has been used in the film for years but I like the twist that these grainy images form the defence of a man accused of murder. However, it also left me somewhat dissatisfied because there was no clear explanation as to what the creatures were or even a clear shot of them – were they aliens, zombies, something unclassified in cryptozoology?
However, I found this a fresh take on a genre which I have long avoided and would recommend others to grab their cameras for a night out if you dare!
Director: Colin Adams-Toomey
Starring: Oliver Stockman, Henry Stockman, Brynna Bartoo and Lisa Coruzzi
Review: I always like to give independent movies a try because you do frequently find a hidden gem with original stories and genuine jumps. Sadly, that’s not quite the case with Lost Creek. That’s not to say it’s a bad movie, just a bit, well, Lost.
Stockman plays ‘Peter’, the new boy in town, struggling to make friends and deal with the fall out of his parents divorce with his only friend ‘Bill’ played by Stockman. One night he goes for a walk by the creek and meets ‘Maggie’ played by Bartoo who warns him about creatures in the woods. It’s not long before the creatures are no longer confined to the woods and people around town begin to disappear.
Elements of ‘Stranger Things’ and Stephen King novels have obviously influenced the writers but unfortunately a number of factors mean ‘Lost Creek’ does not live up to expectations. The young cast do pretty well but do not have the polish of other child actors (it should be noted that this is their first feature film and I hope they all go on to great things as all show good potential which is sadly not achieved here). However, it’s the adult actors who let the movie down and I actually cringed when Peter’s mother, played by Coruzzi was on screen.
The story itself is a little all over the place and I think this is due to the number of ‘monsters’ they want to use – from school bullies, ghosts, monsters in the woods, who are the audience supposed to be afraid of? It’s this lack of unfocus, along with lingering on shots for too long, plus the ‘twist’ being obvious from the beginning which leaves Lost Creek wallowing in a damp bog. There is good stuff here, which with some tighter editing, the removal of Coruzzi and more focus on the ‘monster’ it could be a classic, but as it is, it’s sadly easy to get lost in the muddled stories of Lost Creek.
Synopsis: The Breakfast Club meets The Texas Chainsaw Massacare
Director: Matthew Spradlin
Starring: Judd Nelson, Ben Browder, Amanda Alch, Augie Duke & Cameron Deane Stewart
Review: I didn’t have high hopes for this movie, based on an indie comic book, but I was quickly drawn in. There’s the stereotypical teens, from the jock, the oversexed ‘bad girl’, preppy virgin, misunderstood new boy who’s always in the wrong place at the wrong time and more.
If you’ve seen The Breakfast Club you’ll be familiar with the premise of students from different social groups being forced to spend time together in detention on Saturday morning but there’s a twist.
The acting is solid and while none of the characters are particularly likeable or sympathetic, you do find yourself cheering for them and I found them surprising me as their characters developed. There’s no one stand out performance but Jeffrey Schmidt as the doctor has some cracking lines.
There’s flashbacks to how to characters interacted and got detention but they don’t slow the story down at all and there’s a number of laughs to break the tension (the scene in the cafeteria is rather amusing). The plot is well-paced and you’ll keep guessing until the very end if it’s all the supernatural or one particularly evil student who’s killing everybody off. I strongly recommend you see this shamefully underrated movie.
Director: Juame Balaguero
Starring: Anna Paquin, Lena Olin and Iain Glen
Synopsis: A family move from the city to the country but there’s more than mice roaming their new home and making things go bump in the night.
Review: So, your average 2.4 family moves to the country into a large gothic style house. It’s not long before the children start noticing strange things going on, (the parents become angry for no reason, the beast under the bed steals colouring pencils, the little boy is doing the same gruesome drawings over and over again etc.) but as usual all their fears are dismissed by those older and wiser.
It’s a slow-build movie, which I’m normally a fan of. However, with a slow-build the reason they are enjoyable is because you grow to like the characters yet there’s not much to like as they are all two-dimensional. The mother is distant, while the father goes from loving to aggressive in moments while the young boy scribbles drawings with his pencils. And then there’s the teenage daughter, played by Paquin. As an actress I like Paquin and I think she brings a depth to her characters like few actresses her age can, but in this, there are too many cliches for her to battle against (honestly, there’s only so many times you can say ‘It’s this house’ in a breathless manner before people become annoyed).
There’s also an eclectic mix of accents in the movie which was one thing I found really distracting about this movie (it’s the little things which annoy me), including Iain Glen’s poor attempts at an American (?) accent. If part of the storyline was he was estranged from his father and moved to a new country, why couldn’t it have been England where his weird accent wouldn’t have been noticed? And also, if you lived in a house which suffered so many electric failures, wouldn’t you carry a torch with you all the time?
A few glimpses of spectral figures, a record player which starts playing on its own, prank ghostly telephone calls and a grim warning from an old man are not enough to spooky stakes. It’s slow, boring and the twist in the tale is obvious after about 10minutes.
Director: Christian Alvart
Starring: Renee Zellweger, Ian McShane, Bradley Cooper & Jodelle Ferland
Synopsis: An overworked social worker (Renee Zellweger) becomes too involved with the family of her latest case and works hard to save the young girl from her abusive parents, only to discover that there’s more to ‘Case 39’ than she realised.
Review: I was drawn to this movie because I love Zellweger and loved that she was moving away from her bubblegum characters and was intrigued with her starring in a horror movie – would Bridget Jones be able to take down the forces of hell?
I’m happy to report that everybody gives a solid performance with Zellweger carrying the movie well. Cooper plays the would-be love interest come psychiatrist who works closely with Zellweger and McShane manages to keep his American accept up in his role as the policeman. However special kudos has to go to Ferland in her role as Lilith, the daughter of abusive parents but who has her own secrets. Her transformation from saccharine-sweet school girl to psycho child is subtle and well done.
A well made horror with plenty of twists and turns. Don’t be put off by the thought of Bridget Jones taking down demons: she’s handled Mr Darcy and Mr Cleaver, she can take down a demon-spawn.
Synopsis: A group of friends celebrate their graduation with a trip but Sandy’s friends start disappearing. The strange thing is, the rest of the group don’t remember them. Is Sandy losing her mind, or is there a darker force at work?
Director: Tyler Oliver
Starring: Carly Schroeder, Cody Linley and Chloe Bridges
Review: When I read the blurb for this movie, I assumed it would be another teen horror/slasher so I was pleasantly surprised to discover a thoughtful and fairly well-made movie.
The vengeful spirit of a girl she played with when child is making Sandy’s friends disappear. There are the typical ‘jocks’ and ‘nerds’ who make up Sandy’s group of friends so in some respects you feel on safe ground. The acting is pretty solid and there’s some original ideas in here so it’s worth a Sunday afternoon (or Halloween evening!) watch. However, the story is fairly plodding and the characters are not that engaging which means Forget Me Not will soon be forgotten.