Director: Colin Adams-Toomey
Starring: Oliver Stockman, Henry Stockman, Brynna Bartoo and Lisa Coruzzi
Review: I always like to give independent movies a try because you do frequently find a hidden gem with original stories and genuine jumps. Sadly, that’s not quite the case with Lost Creek. That’s not to say it’s a bad movie, just a bit, well, Lost.
Stockman plays ‘Peter’, the new boy in town, struggling to make friends and deal with the fall out of his parents divorce with his only friend ‘Bill’ played by Stockman. One night he goes for a walk by the creek and meets ‘Maggie’ played by Bartoo who warns him about creatures in the woods. It’s not long before the creatures are no longer confined to the woods and people around town begin to disappear.
Elements of ‘Stranger Things’ and Stephen King novels have obviously influenced the writers but unfortunately a number of factors mean ‘Lost Creek’ does not live up to expectations. The young cast do pretty well but do not have the polish of other child actors (it should be noted that this is their first feature film and I hope they all go on to great things as all show good potential which is sadly not achieved here). However, it’s the adult actors who let the movie down and I actually cringed when Peter’s mother, played by Coruzzi was on screen.
The story itself is a little all over the place and I think this is due to the number of ‘monsters’ they want to use – from school bullies, ghosts, monsters in the woods, who are the audience supposed to be afraid of? It’s this lack of unfocus, along with lingering on shots for too long, plus the ‘twist’ being obvious from the beginning which leaves Lost Creek wallowing in a damp bog. There is good stuff here, which with some tighter editing, the removal of Coruzzi and more focus on the ‘monster’ it could be a classic, but as it is, it’s sadly easy to get lost in the muddled stories of Lost Creek.
It’s been a long week. To differing degrees we’ve all been ill (even the pup,) and we’re shattered. Hubby has gone to bed early, taking the pup with him and the toddler passed out, still clutching her favourite book, hours ago. I’ve just finished watching a silly horror movie and should be working on the review, but as I turned off the TV it hit me: The silence.
It’s not totally silent, the heating is doing that low hum, the clock next door which hasn’t told the right time in months is ticking and I can hear people and cars outside but I close my eyes and it’s so quiet.
A new set of voices has been nagging me recently, demanding I tell their tale. There’s been muttering, waking me in the night with a snippet of dialogue, a name or an action scene, a delicate whisper whilst making tea or a shout as I prepare our bags for the day.
And tonight, in the silence, their voices are a roar. I’m hoping tomorrow I’ll be able to make sense of the assorted post it notes I’ve written on, that half-formed ideas will percolate and be brewed overnight and things will be a little more cohesive. They’re whispering their names, shyly letting me know their preferences, twirling their costumes and sharing their voices. They’re coalescing, becoming more real (or as real as the Lamb’s assorted imaginary friends). I’m learning their wants, desires and mostly their challenges. This band of beaten women who want me to tell their story, now have an enemy to face and it will be a hell of a battle!
Director: Juame Balaguero
Starring: Anna Paquin, Lena Olin and Iain Glen
Synopsis: A family move from the city to the country but there’s more than mice roaming their new home and making things go bump in the night.
Review: So, your average 2.4 family moves to the country into a large gothic style house. It’s not long before the children start noticing strange things going on, (the parents become angry for no reason, the beast under the bed steals colouring pencils, the little boy is doing the same gruesome drawings over and over again etc.) but as usual all their fears are dismissed by those older and wiser.
It’s a slow-build movie, which I’m normally a fan of. However, with a slow-build the reason they are enjoyable is because you grow to like the characters yet there’s not much to like as they are all two-dimensional. The mother is distant, while the father goes from loving to aggressive in moments while the young boy scribbles drawings with his pencils. And then there’s the teenage daughter, played by Paquin. As an actress I like Paquin and I think she brings a depth to her characters like few actresses her age can, but in this, there are too many cliches for her to battle against (honestly, there’s only so many times you can say ‘It’s this house’ in a breathless manner before people become annoyed).
There’s also an eclectic mix of accents in the movie which was one thing I found really distracting about this movie (it’s the little things which annoy me), including Iain Glen’s poor attempts at an American (?) accent. If part of the storyline was he was estranged from his father and moved to a new country, why couldn’t it have been England where his weird accent wouldn’t have been noticed? And also, if you lived in a house which suffered so many electric failures, wouldn’t you carry a torch with you all the time?
A few glimpses of spectral figures, a record player which starts playing on its own, prank ghostly telephone calls and a grim warning from an old man are not enough to spooky stakes. It’s slow, boring and the twist in the tale is obvious after about 10minutes.
Director: Christian Alvart
Starring: Renee Zellweger, Ian McShane, Bradley Cooper & Jodelle Ferland
Synopsis: An overworked social worker (Renee Zellweger) becomes too involved with the family of her latest case and works hard to save the young girl from her abusive parents, only to discover that there’s more to ‘Case 39’ than she realised.
Review: I was drawn to this movie because I love Zellweger and loved that she was moving away from her bubblegum characters and was intrigued with her starring in a horror movie – would Bridget Jones be able to take down the forces of hell?
I’m happy to report that everybody gives a solid performance with Zellweger carrying the movie well. Cooper plays the would-be love interest come psychiatrist who works closely with Zellweger and McShane manages to keep his American accept up in his role as the policeman. However special kudos has to go to Ferland in her role as Lilith, the daughter of abusive parents but who has her own secrets. Her transformation from saccharine-sweet school girl to psycho child is subtle and well done.
A well made horror with plenty of twists and turns. Don’t be put off by the thought of Bridget Jones taking down demons: she’s handled Mr Darcy and Mr Cleaver, she can take down a demon-spawn.
Synopsis: An American submarine stops to rescue survivors of a sunken ship but as soon as they are on board, strange happenings start to occur in this claustrophobic supernatural thriller.
Director: David Twohy
Starring: Bruce Greenwood, Dexter Fletcher, Matthew Davis and Olivia Williams
Review: I normally avoid war movies but I was drawn to this one due to its supernatural twist and also Dexter Fletcher – who doesn’t love him? Plus, ghost stories set at sea? I’ve not seen or heard one I didn’t love.
Anyway the pretence is that an American submarine undertakes a routine rescue mission, saving Williams and Fletcher. There’s plenty of misgivings about having a woman on board the submarine, not helped by things going bump in the depths.
Due to the setting of the film, it’s very claustrophobic which helps to build tension but it’s also well acted with even the minor characters putting in a good performance. Williams plays her usual ‘too cool British character’ we’ve seen in other films and shows such as Dollhouse but she does bring a certain depth to her character. Fletcher is typical Fletcher and plays his character well, while Davis as the first officer struggling to follow the commands of a rapidly unravelling Greenwood is excellent. However, it is Greenwood who steals the show as the war-hardened captain with a big secret.
I’ve mentioned the claustrophobia caused by the set but the director makes best use of the space and you get a feel for what life in a submarine must be like. The creaks and groans as the sub descends also adds to the unease felt by the crew and the fact that you know there is no escape when things start to go wrong builds tension and you’ll find yourself wishing the crew weren’t so far under water when ghostly happenings start to occur.
This was no jump-out-of-your-chair horror but a well crafted and thoughtful supernatural thriller which kept me entertained from beginning to end. I think it’s a shame that it’s not been more widely viewed and for those of you with Netflix it’s a great Friday night movie.
Eeeeeep, it’s finally here! So excited to announce that the first publication from Fennec Books, my prep-teen novella ‘Ghoulsome Graveyard’. Set in a small graveyard, it’s a supernatural comedy with a twist. Fun for pre-teens and the young at (still-beating) heart. Get your copy now from Amazon!
‘When the local graveyard is scheduled for redevelopment, journalist Catherine decides to help the residents. She decides to hold a fete and enlists the help of everyone living in the graveyard but with ghosts, zombies, witches and a werehuman, what could possibly go wrong? Come and join us for cake, games and more than a little magical chaos in the Ghoulsome Graveyard.’
Yup, I’m a complete book geek. It’s a definite sickness!
If you also love books, and enjoy horror, fantasy, science fiction or just stories with an odd twist, check out my current offerings on Amazon or Fox Spirit Books
Synopsis: A lawyer still grieving the death of his wife has to travel to an isolated town where the locals are terrified of a vengeful ghost with a penchant for killing children.
Director: James Watkins
Starring: Daniel Radcliffe, Ciaran Hinds
Review: The story of a grieving husband, separated from his family due to work and sent to a strange village filled with untrusting and unwelcoming locals. Is his grief causing him to see the ghosts that torment the town and who will be the next victim of the child-murdering ‘Woman In Black’.
Daniel Radcliffe, in his first major role post Harry Potter, plays the lead Arthur Kipps. I have to be honest, I never thought much of Radcliffe’s acting ability in the Harry Potter franchise and always felt that Emma Watson and the fabulous Rupert Grint acted magical rings around him and to an extent Radcliffe is out of his depth with this material. His inability to convey the emotions necessary for the depressed Kipps is obvious but luckily the solid cast and decent story covers for him.
I love a good horror story and I thought that I was too jaded to be actually scared but there were a number of points in this when I was genuinely jumping out of my seat. The cinematography was stunning and the eerie settings conveyed the mood better than Redciffe at points. What an advertisement for tourism to the UK. My only other complaint was the occasional slip into modern vernacular. I think Jane Goldsmith is an incredible screenwriter but she didn’t fully immerse the characters into the time, giving the movie an unbalanced feel. However, despite these minor failings, I loved this movie and look forward to the Blu-Ray release.
In conclusion, I think it’s fabulous that Hammer has begun creating horror movies once more and this one is sure to sit well next to their other classics.
Synopsis: A daughter returns to her family’s home after a stay in a psychiatric hospital. However, despite her treatment, she’s still seeing ghosts.
Director: Jee-woon Kim
Starring: Kap-su Kim, Jang-ah Yum and Su-jeong Lim
Review: I love this movie. It’s got ghosts, horror, family disputes and a pretty good twist at the end.
The movie opens with Bae Soo-mi meeting with her doctor. She’s obviously a disturbed young woman, emitting trauma and desperation. She returns home but you can immediately tell that there are problems in the household: her father is distant and her stepmother would put Disney’s most evil to shame and then there’s her sister. The sisters are close and try to protect each other from the harshness of their stepmother and the distracted nature of their father. The only love and happiness in the household is that generated between the sisters. The house itself has lots of dark corners, perfect for ghosts to hide in. The ghosts are desperatelytrying to tell Bae Soo-mi something but she can’t understand them and the frustration is driving the whole household crazy.
The acting is solid by all the characters, from the distant, guilt-ridden Kap-su Kim as the father, Jung-ah Yum personifying the epitome of evil stepmother and both sisters trying to deal with the death of their mother as well as the strange entity which haunts their home. The scenery is beautiful and the distinctive colours of each set add to the atmosphere. Director Jee-woon Kim does a great job of building atmosphere which can only really be appreciated with a second viewing.
Foreign movies aren’t for everybody and the story can be a little hard to follow but I would highly recommend you stick with it because it’s more than worth it.