Synopsis: An American nanny is hired to take care of a young boy, the only problem is, the ‘boy’ is made of porcelain. Violating the strict rules his parents said she must follow, she begins to sense the boy is alive, and may want more than just a nanny to care for him
Director: William Brent Bell
Starring: Lauren Cohan, Rupert Evans, Jim Norton, Diana Hardcastle
Review: I wasn’t entirely sure what to expect from this movie. It started with the typical ‘girl takes a job despite it having a dodgy job description to escape her ex’. The family she works for are very odd and their unease, portrayed excellently by Norton and Hardcastle. They ask Cohan to look after their ‘son’ a porcelain doll which is more than a little creepy, and they have a number of rules which must be followed to ensure his care.
Cohan will be known to viewers of ‘The Walking Dead’. The naiveté and winning smile she brings to Maggie Green in her battle against zombies on the show is also evident here (I’ll admit, we’re VERY behind with The Walking Dead so I’m not sure if she’s still smiling) as she plays a fairly likeable character, but it’s not soon before she’s left on her own and ignoring the rules for caring for the Boy. What happens next made me think we were on for a supernatural twist and Cohen plays it well, with a mixture of excitement and unease at caring for a ‘ghost’. Obviously, this idea is boosted by Evans telling her about Norton and Hardcastle’s son who was an odd child and died in mysterious circumstances.
The ending was a cliched surprise. By that I mean, the movie didn’t go in the direction I expected, but as soon as it did, there wasn’t anything new to add, although there were a few jumps. I suppose for me, part of the issue was that, as lovely as Cohan is her, I wasn’t really that engaged with her or any of the other characters. There was also no satisfactory explanation as to why the Boy’s parents had set up such an elaborate ruse. The direction was good in that it’s claustrophobic and made you feel as if there’s something unsettling in the house but at times was a little too light and breezy to maintain the suspense.
The Boy is a good Friday night movie: it doesn’t demand too much and delivers a few spooks and scares, but it needs to grow up a lot before it joins the big boys of horror.